从戴望舒诗歌中的女性形象看其诗歌创作心理——以《雨巷》为例兼谈其他诗歌.pdfVIP

第 36 卷第 3 期 2014 年 5 月 Vol.36 No.3 Journal of Tangshan Teachers College May 2014 从戴望舒诗歌中的女性形象看其诗歌创作心理 —— 以《雨巷》为例兼谈其他诗歌 王怀昭 （西南大学中国新诗研究所，重庆 400715 ） 摘 要：戴望舒的《雨巷》中“丁香姑娘”具有多重内涵：既象征愁怨，也是诗人政治理想和希望的化身， 还是诗人的自画像；其意象的创造受中西诗学的影响。此外，戴望舒其他诗歌中的女性形象既是诗人心中恋人 的剪影，也体现了对女性的抽象崇拜。究其原因，戴望舒诗歌女性形象创造的文化心理为：首先受到五四个性 解放思潮和个体本位思想的影响，其次是男人心灵深处女性气质的外显，再次是现代知识分子无法摆脱群体意 识的精神习惯和传统文化的潜在影响。 关键词：《雨巷》；戴望舒；创作心理 I226 A 1009-9115(2014)03-0014-03 中图分类号： 文献标识码： 文章编号： DOI ：10.3969/j.issn.1009-9115.2014.03.004 The Poetry Creation Psychology of Dai Wang-shu from the Female Images in his Poems-Taking Rain Lane as an Example WANG Huai-zhao (Modern Chinese Poetry Research Institute, Southwest University, Chongqing 400715, China) Abstract: The lilac girl in Dai Wang-shu’s Rain Lane has multiple meanings: it is the symbol of the melancholy, the embodiment of poets political ideal and hope, and the self portrait of poet; the creation of image is influenced by Chinese and Western poetry. In addition, the other female characters in Dai Wang-shu’s poetry are lover’s silhouette in the poets heart. They reflect the abstract worship of women. Investigating its reason, the cultural psychology of female images creation in Dai Wang-shus poetry are as follows. Firstly, they are affected by the personality liberation and individualism of May Fourth. Secondly, they are the explicit manifestation of femininity in mens soul. Thirdly, they are the potential influences of the modern intellectuals who cant get rid of the mental habits and traditional culture of group consciousne