从幼稚模仿走向自觉成熟_会展设计研究综述_张敏.pdfVIP

2009 9 文 化 艺 术 研 究 Sep. , 2009 2 5 Studies in Culture Art Vol12 No15 : 1674-3180 (2009) 05-0201-08 从幼稚模仿走向自觉成熟 ) ) ) 会展设计研究综述 张 敏 傅懿瑾 ( , 200444) : 会展设计是会展活动对展示空间和表达行为所做的事先安排, 目的在于 出意义表 达, 加强沟通交往其外延包括展示对象设计空间布局设计照明道具设计平面及多媒 体设计, 以至会展场馆设计等它关系到会展活动的成败进退, 因伴随会展业走向繁荣而备 受关注本文通过对改革开放以来我国会展设计研究相关文献的梳理, 从设计艺术以及经 济社会文化等视角, 对目前的研究成果进行了初步总结, 讨论了从幼稚模仿走向自觉成 熟过程中所面临的问题, 并就学科定位理论建设成果积累等因素, 为会展设计研究的下 一步发展提出了建议 : 会展设计; 研究综述; 展示对象; 空间布局; 照明道具; 平面与多媒体 : J52519 : A From Simple Imitation to Conscious Maturity ) ) ) Review of Studies in xhibition Designs Zhang Min, Fu Y-i jin Abstract: Designing of exhibitions is the prior arrangement of exhibition space and expressive conducts, aiming at highlighting significance and strengthening communication1 It includes the design of objects to be displayed, the design of space layout, the design of lighting and stage properties, graphic and multimedia. s design as well as exhibition venue. s design1 It is closely related to the overall effect of the exhibition, and therefore receives close attention1 By reviewing literature on exhibition designs in China since reform and opening up, this paper summarizes the studies from the angles of designing art, economy, society and culture1 It discusses various problems in the development process of exhibition design research from simple imitation to consciousmaturity and offers suggestions for its further progress in terms of its discipline orientation, theoretical construction and achievement accumulation1 K