“无有众苦,但受诸乐”──从《受戒》看汪曾祺的佛教文化意识.pdfVIP

第 31 卷第 4 期 2009 年 7 月 Vol. 31 No. 4 Journal of Tangshan Teachers College Jul. 2009 “无有众苦，但受诸乐” ── 从《受戒》看汪曾祺的佛教文化意识 李金凤 （西南大学文学院，重庆 北碚 400715 ） 摘 要：和尚恋爱在中国传统文学中是一个禁区。汪曾祺的《受戒》却将宗教与爱情，佛性与人性和谐地融 为一体。《受戒》消解了佛教作为信仰的严肃性，漠视佛教的清规戒律，张扬人性，倡扬人们充分地享受生活，回 到“人间佛教”中，构建了一个“无有众苦，但受诸乐”的美好世界。这是《受戒》中体现的佛教文化意识，也 是中国传统思想文化以儒家为主流，儒道佛教精神共同构成的艺术化的人生。 关键词：汪曾祺；《受戒》；佛教文化；人性；欢乐 I206 A 1009-9115(2009)04-0014-03 中图分类号： 文献标识码： 文章编号： “No People have Suffered, but All are Living Happily” ── Buddhist Cultural Awareness of Wang Zeng-qi from Initiated into Monkhood LI Jin-feng (School of Liberal Arts, Southwest University, Beibei Chongqing 400715, China) Abstract: The monk’s love is forbidden in Buddhism and a restricted area in traditional Chinese literature. In Wang Zeng-qi’s novel Initiated into Monkhood, however, religion and love, Buddha-nature and human nature are merged harmoniously. Initiated into Monkhood clears up the belief of Buddhism seriously and ignores the disciplines of Buddhism by publicizing the human nature and advocating people to enjoy the life fully. It returns to the Humanistic Buddhism and constructs a better world in which no people have suffered, but all are living happily. It is the Buddhist cultural awareness from Initiated into Monkhood and is also the spirit of the artistic life which constituted by the main Confucianism, Buddhism and Taoism together. Key words: Wang Zeng-qi; Initiation into Monkhood ; Buddhist culture; humanity; joy 汪曾祺的代表作《受戒》发表于 1980 年《北京文艺》， 显然，佛教是主张克制、压抑、甚至消灭众生的各种欲望包 讲述了一个小和尚明海和农家少女小英子的纯真恋情，概而