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《2016年职称英语考试用书重点篇章练习:Pop Music in Africa 》.doc

《2016年职称英语考试用书重点篇章练习:Pop Music in Africa 》.doc

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《2016年职称英语考试用书重点篇章练习:Pop Music in Africa 》.doc

2012年职称英语考试用书重点篇章练习:Pop Music in Africa 2012年职称英语考试用书有一定的变化,今年新增了很多篇目。小编提醒考生要抓紧时间来复习了。目前职业培训教育网职称英语课程基础班已经开通到第五部分了,后面内容也会尽快开通,建议考生抓紧时间听课。下面是在职称英语教材里面的一些重要的文章篇目,都有详细的解题思路,希望对考生有帮助! Pop Music in Africa Young musicians in African countries are creating a new kind of pop music. The tunes and the rhythms of their music combine African traditions with various forms of music popular today, such as hip-hop, rap, rock, jazz, or reggae. The result is music that may sound familiar to listeners anywhere in the world, but at the same time is distinctly African. It is different also in another way: Many of the songs are very serious and they deal with important social or political issues in Africa today. Eric Wainaina is one of these African musicians. He grew up in Nairobi, Kenya, in a family of musicians. As a teenager, he listened to pop music from the United States, and later he moved to Boston to study at the Berklee College of Music. Now he has produced a CD in Kenya. Erics most popular song, Land of ‘A Little Something’” is about Kenyas problem of bribery, or paying others for illegal favors. He wants people to listen to his songs and think about how to make Kenya a better place to live. Another musician who writes serious songs is Witness Mwaijaga from Tanzania. Her own experiences have helped her understand the suffering of many African women. At the age of fifteen she lost her home, but she was luckier than other homeless young people. She could make a living by writing songs and singing on the street. By the time she was eighteen years old, she had become a star. Her songs are written in rap or hip-hop style about the problems that she sees in Tanzania, especially AIDS and the lack of rights for women1. Baaba Maal, from Senegal, also feels that pop music must go beyond entertainment. He says that in Senegal, storytellers have always been important people. In the past, they were the ones who kept the history of their people alive. Baaba believes that songwriters now

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