水彩创作中的意象表现修改.doc

PAGE PAGE 11 水彩创作中的意象表现 The Expression Of Image In Watercolor Creation 冯信群1，刘文良2 Feng Xin Qun1, Liu Wen Liang2 (1. 东华大学 服装与艺术设计学院环艺系，上海，200051； 2.东华大学服装与艺术设计学院环艺设计系研究生，上海，200051) （1.Environment Art Department of Costume and Art Design College of Donghua University, Shanghai, 200051; 2.A graduate studying in Environment Art Design Department of Costume and Art Design College of Donghua University, Shanghai, 200051） 邮箱 【摘要】“意象”作为既有异于西方“具象”，又有别于“抽象”处于两者之间的独特思维方式，包蕴着中华民族的人文气质与文化心理。中国美学的意象是以“观物取象”为方法，“立象尽意”为诉求，通过以“意”为“象”、以“意”造“象”等来传递意象的，进而影响着我国艺术创作中的意象表达。文章旨在对当代语境下水彩创作中的意象表现作进一步探究，一方面吸收中国传统绘画意象表现精髓，另一方面从新的材料技法、视觉形态及设计元素的注入等方面对意象表现作探索。以确立“意象”这一中国意象水彩艺术独特的感知方式而形成理论，并以此拓展水彩艺术创作空间，丰富水彩艺术语言，提高水彩艺术品味，指导实践创作。 [Abstract] Image, as a distinctive thinking pattern existing between the western figurative and abstraction, embodies the humanitarian temperament and cultural psychology in Chinese culture. With the method of forming the image by observation and the appeal of expressing the meaning by establishing the image, image transfers images by setting meaning as an image and creating an image by meaning. This method furthers its influence on imaging expression in national artistic creations. This paper aims to do a further research on the imaging expression of water color paintings in the modern context. On one hand, it absorbs the quintessence of imaging expression of traditional Chinese painting. On the other hand, it explores the imaging expression from the aspects of new material techniques, the introduction of visual shape and designing elements. To form a theory on establishing image as a unique thinking pattern of Chinese imaging watercolor artistic, the study can broaden the watercolor artistic creation, enrich the artistic language of watercolor painting, prompt the artistic sense towards the painting and instruct the creation in practice. 【关键词】水彩；创作；意象；意象表现 [Keywords] watercolor ; creation; Image ;expression of imag