17century.ppt

The Seventeenth Century Literary features and works in the 17th century 清教徒文学 诗歌仍在文学领域中占主导地位。 Metaphysical Poets ：John Donne Cavalier Poets：Ben Johnson John Milton：Paradise Lost (1667), John Bunyan：The Pilgrim’s Progress (1678) John Dryden： Metaphysical Poets (玄学派诗人） 十七世纪上半叶的一群宗教诗人，他们作品的特点在于机智、富有想象力的画面、简略而含义模糊的表达，对悖论词语的玩弄以及比喻的使用。他们运用当代的科学发现和理论、对人文主义、信仰和永生的争论、通俗的口语化韵律和创新的诗歌形式来考察个人、上帝和宇宙的关系。 It refers to a group of religious poets in the first half of the 17th century whose works were characterized by their wit, imaginative picturing, compressions, often cryptic expression, play of paradoxes and juxtapositions of metaphor. 代表人物：John Donne Conceit （奇思妙喻） An elaborate metaphor comparing two apparently dissimilar objects or emotions, often with an effect of shock or surprise. The metaphysical conceit is used by Donne and his followers. 一种把表面上不类似的两种物体或感情加以比较的精细比喻，常造成震惊效果。玄学派的奇思妙喻为邓恩和其追随者所使用。 Cavalier Poets （骑士派诗人） A name given to supporters of Charles I in the Civil War. These poets were not a formal group, but all were influenced by Ben Johnson and like him paid little attention to the sonnet; their lyrics are distinguished by short lines, precise but idiomatic diction, and an urbane and graceful wit. 指在资产阶级革命期间支持查理一世的诗人。这些诗人不是一个正式的群体，但都受本·琼森的影响，并且跟他一样很少注意十四行诗；他们的诗歌都以诗句简短但措辞多用成语，以及优雅风趣而著称。 代表人物： Robert Herrick John Donne 约翰·邓恩（1572-1631） 玄学派诗歌的创始人 青年时期：爱情诗、讽刺诗; Songs and Sonnets 歌与十四行诗 “圆规”意象 晚年担任教堂主教：圣诗、训诫诗 Holy Sonnets 圣诗 The Flea （跳蚤） A Valediction：Forbidding Mourning告别辞：莫伤悲 本诗的主题是爱情的坚定和永恒。诗歌开头，诗人即展现了德高者谢世的感人情景，他似乎想告诉读者，真爱的双方不会因为死亡而终止爱情，一如人的肉体和灵魂无法分割一样。他认为，真正的爱情不在于两人的长相厮守，只要两个灵魂融成一体，就不在乎暂时分离。因为即便一方走到海角天涯，两人的关系依然会像两脚圆规一样，互相依靠，互相牵制，有中心，有外延。 爱情圆规 课后练习P21 1. 略 2. The parting endures not a breach, but an expansion. According to this poem, true love is just like twin compasses: one foot grows erect while the other foot roams and comes back. Andrew Marvell 安德鲁·马维尔(1621-1678) Metaphysical poet, who wrote poems on nature. To