黑色在当代油画中的运用[精选].doc

摘 要 黑色在油画中的运用不一，对于这个说法，人们所持的观点也不同。在古典主义绘画中画家用褐色或其他重色来代替黑色；在研究光与色的印象派画家中只有莫奈禁止使用黑色；其他画家（如提香、伦勃朗、夏尔丹、雷诺兹、库尔贝、马奈、马蒂斯、雷诺阿、塞尚、高更、郁特里罗、林风眠、吴冠中、赵无极、周春芽、毛岱宗、王怀庆、赵梦歌、张冬峰）在油画中很好的运用了黑色。本文将从油画中使用黑色这一观点来论述。 油画中的色彩在黑色的对比之下，更能突显其他颜色的亮丽，提高彩色的颜色和色度，使其他任何一种颜色都表现的更为强烈。它从古至今被人们研究、运用，既保留了在油画中黑色作为一种彩色的使用，同时又结合中国传统水墨画对墨的使用这一特点更好的运用在当代油画之中，再现了“笔墨情趣”，营造了画面的氛围，加强了画面的表现力。 本文主要研究黑色在当代油画中的运用，针对代表性画家作品结合画家所处的时代背景对油画中黑色运用的不同表现样式进行归纳和概括,最后总结出黑色在当代油画中运用所体现的客观再现性、主观表现性和主题象征性三种审美价值,并对黑色在当代油画中的发展前景进一步的探索,希望能够为今后的油画创作提供新的可能性。 关键词 黑色；当代油画；表现手法；表现形式；油画语言 Abstract The application of black is different on oil paintings. And people hold the different idea about that. For example, in classical paining, painters use brown or other heavy color instead of black; the impressionist who study the light and color only Monet never use black; and some other painters use a lot of black in oil painting, such as Titian, Rembrandt, Chardin, Reynolds, Courbet, Manet, Matisse, Renoir, Cézanne, Gauguin, Utrillo,Lin Fengyan, Wu Guanzhong, Zhao Wuji,Zhou Chunya, Mao Daizong, Zhao Mengge, and Zhang Dongfeng. This paper will relate and analyze the opinion on the application of black in oil painting. In oil paintings, with the comparation of black, it can make other colors more highlight and beautiful than without it, improve the effection of color and make any one of them show stronger than it used to be. Throughtout the history, people constinuously study the application of black and keep using it. On one hand, people use black as an usual color in oil painting, on the other hand, people always use the black color as the way in Chinese tranditional washing painting in mordern oil painting. It reappears the interest of washing painting and show the general apprearance of a picture. The paper mainly studies the application of black color in oil painting. Combined with the representative painter’s work and the enviroment of the times.include and summarize the different applications of black color. At the end of the paper, i