海外郁达夫研究漫评AGeneralReviewofOverseaResearchesonYuDafu..doc

海外郁达夫研究漫评AGeneralReviewofOverseaResearchesonYuDafu..doc

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海外郁达夫研究漫评AGeneralReviewofOverseaResearchesonYuDafu.

海外郁达夫研究漫评 ?[摘 要]始于20世纪20年代中叶的海外郁达夫研究,主要以日本、东南亚、欧美三大学界为代表,各各呈现出鲜明独特的视角、特色、倚重和成果,诸如日本学界的实代写文学硕士论文证批评,南洋学界的主情批评,欧美学界的文本批评,都给国内郁达夫研究提供了可资参照和借鉴的新的信息和方法,亦体现了海内外郁达夫研究的互动和互补。 [关键词]海外;郁达夫研究;漫评 A General Review of Oversea Researches on Yu Dafu Abstract:The existent earliest pieces of poetry written by Yu Dafu at age 15 are the three poemspublished in 1911 by Shenzhou Daily of Shanghai, entitled Yong Shi (Ode to History). Mainlandattention began to be paid to Yu Dafu in 1915, almost the same year Yu began his writing career.Overseas research on Yu was started in the mid-20th century chiefly by three representativeacademic communities in Japan, Southeast Asia, and Europe and the United States. Theirresearches which last for over 50 years, have produced fresh ideas, unique perspectives, anddifferent characteristics and focuses. Their academic results in various aspects have really amazedtheir Chinese colleagues in the /master_degree.htmlMainland.Take Japanese scholars’positive criticism. In Japan, Yu Dafu has been regarded as arenowned writer who represents Chinese new literature, and played a central role in Sino-Japancultural exchanges, and even as the equal of the great Chinese writer Lu Xun. The academicresearch done by Japanese colleagues mainly focuses on positive criticism. From the 1920s to theearly 21st century, three generations of scholars represented by Takeo Oda and YoshimiTakeuchi, Toramaru Ito and Masao Suzuki, and Kuwashima respectively have paid particular anddetailed attention to Yu’s life story, such as his experience in Japan, the relationship between hisnovels and modern Japanese literature, especially the private novel, and his missing andbeing murdered in Sumatra.Nanyang or Southeast Asia is where Yu settled down after wandering overseas for years.Therefore, the research done by the academic community in Nanyang is characteristic of beingemotional, memorial, sentimental, and mysterious. The pity is that the sentimental criticism onYu’s literature oversha

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