跨越边界文学研究与互学科.pptVIP

跨越边界：文学研究与互学科性 Literary Studies and Interdisciplinarity 三个概念 (inter)subjectivity: from self to subject Intertextuality: “from work to text” Interdisciplinarity: “Literature into culture” (my Q: literature out of culture?) 文学是什么？文学和非文学的界限在哪里？如果文学没有边界，那么文学研究的边界又在哪里？文学学科内、外的界限又是什么？如何站在文学学科之外审视“文学”？ 构成文学系统的要素：世界、文本、作者（writer）、读者 intertextuality What is the Text? a text is not a line of words releasing a single ‘theological’ meaning (the ‘message’ of the Author-God) but a multidimensional space in which a variety of writings, none of them original, blend and clash. The text is a tissue of quotations drawn from the innumerable centres of culture. Text = intertexts = intertextuality Intertextuality was coined originally by Julia Kristeva, and refers to the ways in which all utterances (whether written or spoken) necessarily refer to other utterance, since words and linguistic/grammatical structures preexist the individual speaker and the individual speech. (For him, for us too, it is language which speaks, not the author.) Unconscious: displacement and condensation; the passage from one sign-system to another The term inter-textuality denotes this transposition of one (or several) sign-system(s) (carnival, courtly poetry, scholastic discourse) into another. …the passage from one signifying practice is a field of transpositions of various signifying systems (an intertextuality), one then understands that its ‘place’ of enunciation and its denoted ‘object’ are never single, complete and identical to themselves, but always plural, shattered , capable of being tabulated. Intertextuality = interdisciplinarity Intertextuality is not merely a literary matter, it is also historical and therefore cultural and ideological. 按罗兰·巴特的解释：互文性是重新分配整体语言，是这种重新分配的场地。是解构和重构兼具的途径之一。 1. 所有的文本都处于互文性中。其中在不同的层面、以或多或少可辨识的形式呈现出另外的文本。先前的文化文本和周围的文化文本。一切文本过去引文的新织品。 2.互文性是所有文本的特性，无论怎样，显然不能归结为起源或影响的问题；互文性是不具名的惯用语的普遍底色，其来源罕有能定位的也是无意识地或自动地引用，不加引号地呈现出来。 3. 从认识论来说，互文性的概念给文本理论带来社会性的份量：它是先前和当代的全部群体语言。群体语