架上绘画的当代意义.pdf

中国美术学院——版画系——张俊——架上绘画的当代意义 目 录 摘 要…………………………………………………………………… 2 一、架上绘画的生存 1、架上绘画的意义是被给予的…………………………………… 3 2、架上绘画所受的各种冲击……………………………………… 4 3、架上绘画的再生契机…………………………………………… 3 二、 架上绘画在当代的特殊性 1、从原始性出发的抗争……………………………………………5 2、面对传统的暧昧态度…………………………………………… 7 3、在众声喧哗中的一员…………………………………………… 10 结 语……………………………………………………………… 12 致 谢…………………………………………………………………13 参考文献…………………………………………………………… 14 1 中国美术学院——版画系——张俊——架上绘画的当代意义 【摘要】探讨架上绘画的当代意义必须先了解当代绘画在之前所遇到的危机。 最知名的一句对架上绘画的论断便是：架上绘画死了。好比“上帝死了”，“历史死 了”，一样，架上绘画也跟着死了。当然，这里的死了并不像我们一般所以为的那样 ——终结了——以后再也不会出现了。架上绘画的死亡有他自身的特殊含义，只有 对他的死有所了解，才可能真正理解他的再生。不像文艺复兴之前，中世纪时期所 言的古希腊罗马艺术的死亡，那是一种隐匿，绘画的精神和技艺失去了传承。几个 世纪之后的人们对于曾经的辉煌和造诣一无所知，或者说不能理解。这种情况并不 适用于十九世纪末和二十世纪的架上绘画。博物馆中的古典绘画比比皆是，也并非 没有任何传承技术的人存留。从某一种意义上来说，架上绘画的死亡是绘画艺术在 被逼到绝路时的自我谋杀。不过不单这种谋杀是自我执行的，那种“催逼”也是源 自自我。 【关键词】架上绘画 当代艺术 原始性 传统 危机 再生 【Abstract】 When comes to discuss the meaning of contemporary art, we must find out the crisis that it came across. The most well known sentence about the canvas drawing is : canvas drawing is dead. Just like “God is dead”, “History is dead”, canvas drawing is dead, too. Therefore, the “dead” of canvas drawing is not as we might think. It is not the end of canvas drawing which will never appear. The dead of canvas drawing has its own particular implicature, only we have known its death we can understand its reborn actually. Unlike before Renaissance, the death of ancient Greece and Rome in the Middle ages is a kind of hidden. There is no adherence to spirit and skill of drawing. After centuries, no one knows and understands the success and attainments of the past. This case can not apply to the canvas drawing in the end of 19th and the beginning of 20th century. The classic paintings are everywhere in museum, but the masters has gone. In one sense, the death of c