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中国传统服饰_英文PPT解读
原文章是这样的,上面的我经过删减 The dynasty to follow the Shang, the Western Zhou Dynasty, established a strict hierarchical society that used clothing as a status meridian, and inevitably(不可避免的), the height of one’s rank influenced the ornateness(华美的) of a costume. Such markers included the length of a skirt, the wideness of a sleeve and the degree of ornamentation. In addition to these class-oriented developments, the Hanfu became looser, with the introduction of wide sleeves and jade decorations hung from the sash which served to keep the yi closed. The yi was essentially wrapped over, in a style known as jiaoling youren, or wrapping the right side over before the left, because of the initially greater challenge to the right-handed wearer (the Chinese discouraged left-handedness like many other historical cultures, considering it unnatural, barbarian, uncivilized and unfortunate). 上面加很粗的字体是我认为比较重要的 In the Eastern Zhou Dynasty,(西周) the “deep robe” (shenyi 深衣) appeared a combination of tunic(束腰外衣) and skirt. The upper and lower halves(两等份) were cut separately but sewn (缝纫)as a single unit. An additional change was the shaping of the left side of the costume into a corner, fastened on the chest. Perhaps because of Confucian (儒学者)influence, disapproving of a hierarchical(分等级的) society in favour of social mobility 社会流动性based on personal merit优点, the shenyi was swiftly adopted. There still existed an elite however, and they monopolised垄断 the more ornate fabrics and grandiose 宏伟的details. 汉服也不单指汉朝服装,而是从“黄帝垂衣裳而天下治”始至明代,在五千年的历史传统、文化环境中,按照汉人特有的生活方式、审美理想,结合经济条件和生产水平,自前而后自然形成的具有历史传承及鲜明民族特征的服装 五个部分 Han-Chinese clothing had changed and evolved with the fashion of the days since its commonly assumed beginnings in the Shang dynasty. Many of the earlier designs are more gender-neutral and simple in cuttings. Later garments incorporate multiple pieces with men commonly wearing pants and women commonly wearing skirts. Clothing for women usually accentuates the bodys natural curves through wrappin
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