后现代主义风格精要.doc

 姓名： 班级：1 学号：号 指导老师： 世界现代设计史 ——后现代主义风格 目录： 一、后现代主义风格 1.1后现代主义风格的产生 ·································01 1.2后现代主义风格设计特征 ·································01 1.3现代主义风格与后现代主义风格比较 ·······················01 1.4后现代主义与工业设计 ····································03 1.4.1工业设计中的后现代主义 ······························03 1.4.2工业主义后现代表现的风格 ·····························03 1.5工业主义后现代代表人物及作品 ···························03 1.6我对后现代主义风格的认识及展望 ·····················03 二、代表人物 2.1埃托.索特萨斯 ·········································04 2.1.1人物简介 ·········································04 2.1.2代表作品 ·········································04 2.1.3作品赏析 ·········································04 2.2亚历山大.曼蒂尼 ········································05 2.2.1人物简介 ·······································05 2.2.2作品赏析 ········································05 三、对比埃托.索特萨斯 与 亚历山大.曼蒂尼 3.1相同点 ·················································06 3.1.1设计目标 ·············································06 3.1.2设计风格 ·············································06 3.1.3设计理念 ·············································06 3.1.4产品特征 ·············································06 3.2不同点 ·················································06 3.2.1设计范畴 ·············································06 3.2.2设计用色 ·············································06 总结 ····················································06 1.3现代主义风格与后现代主义风格比较 现代主义风格与后现代主义风格两者之间其实存在着某种联系，具体可以用下表来表达： 1.2后现代主义风格设计特征一，反对设计形式单一化，主张设计形式多样化。 二，反对理性主义、关注人性。“功能”已不再被视为产品设计的第一要素，主张以“游戏的心态”来处理作品。 三，强调形态的隐喻、符号和文化的历史，注重产品的人文含义，主张新旧糅合，主张兼容并蓄。 四，关注设计作品与环境的关系，认识到设计的后果与社会的可持续发展紧密联系在一起。 总结来说，即是寻求文化品位,