宋初僧人诗歌研究 以九僧诗为代表汉语言 大学论文.doc

宋初僧人诗歌研究 以“九僧”诗为代表 汉语言文学专业 【摘 要】 宋初诗坛的主角是宗唐三体：白体、晚唐体、西昆体。“九僧”是晚唐体这一诗歌流派中，最恪守贾姚门径，最富群体交流性，最具个性的诗人群。其平淡、清新、幽远的诗歌风格对宋代诗风演变具有独特影响。当时他们的诗歌流传很广，又有合集、“句图”之类传世，但“九僧”在现当代所编撰的文学史上所占篇幅十分简略，世人对其认识甚少，很有深入了解其诗作的必要。在此仅从基本文史材料着手，进行粗浅的探讨。 【关键词】The early Song Dynasty monk poetry study to jiu seng Poems The Department of Chinese language and Literature Student Liu Boya instructor Luo Guowei 【Abstract】 poetry of Song Dynasty is the protagonist of the Tang three-body: white, style of the late Tang Dynasty, poetry Is “” the style of late Tang poetry in this genre, most scrupulously abide by Jia Yao way, most group communication, most personality of the poet group. The flat, clean, quiet far poetic style has a unique effect on the Song Dynasty poetry evolution. At the time of their poetry has spread far and wide, and the collection, sentence-picture handed down, but “jiu seng” in contemporary written literary history occupied space is very simple, very little understanding of the world, it is necessary to understand the poetry. We just started from the basic historical materials,are discussed. 【Key Words】The early Song Dynasty monk poem “jiu seng” 目录 前言····································································1 第一章 苦吟而出的意象················································· 2 第一节 “吟苦夜禅忘”················································2 一、什么是苦吟？···············································2 二、苦吟的原由及影响···········································2 第二节 “秋来心更闲”················································4 一、“九僧”诗的意象············································4 二、别致的风格·················································5 第二章 “九僧”的交游···················································6 第一节 “交结皆名卿”················································6 一、 交游的人物················································6 二、 交游的地域················································7