The Analysis of Poverty and Hardship Consciousness In Blake’s Poetry.doc

The Analysis of Poverty and Hardship Consciousness In Blake’s Poetry.doc

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论布莱克诗中的贫苦意识 The Analysis of Poverty and Hardship Consciousness In Blake’s Poetry Contents Abstract……………………………………………..……………………...1 Key words…………………………………………….……………………...1 I. Introduction of William Blake..................................……..............….1 II. Poems and Analysis of William Blake………………..…………..…3 III. Conclusion………………………………………………..………….…8 References…………………………………………………..………………8 The Analysis of Poverty and Hardship Consciousness In Blake’s Poetry 摘 要: 从总体上论述布莱克的生平及时代背景,从而引出作品的时代特色和作者的独特性。通过对作品的语言特点和文化内涵的分析来论证布莱克的贫苦意识。分析总结布莱克作品及本课题所研究的独特之处,从而更好的理解浪漫主义前期的时代特征和对浪漫主义运动所产生的积极影响。 关键词:布莱克; 贫苦意识; 天真之歌; 经验之歌 Abstract: From talking about all his life and his time, we’ll know the time characteristic of his works and the uniqueness of the writer. From analyzing the characteristics of language in works and connotation of culture to show Blake’s poverty and hardship consciousness. Analyzing and summarizing the Blake’s works and the uniqueness, in this way, we can understand more about the time characteristics in early days of romantic period and the influence they made to the Romantics. Key words: William Blake; Poverty and Hardship Consciousness; Song of Experience; Song of Innocence I. Introduction of William Blake William Blake was born in a hosier’s family in London. And he was a transitional figure in British literature. He was one of the first writers of the “Romantic Period.” He turned back to Elizabethan and early seventeen-century poets, and other eighteenth-century poets outside the tradition of Pope. Of all the romantic poets of the eighteenth century, he is the most independent and the most original. In his earliest work, he seems to go back to the Elizabethan song writers for his models, but for greater part of his life he was the poet of inspiration alone, following no man’s lead, and obeying no voice, but that which he heard in his own mystic soul. Though the most extraordinary literary genius of his age, he had practically no influence upon it. In

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