TheRepresentationofChinainWesternDocumentaryFilms.docVIP

外文参考资料原文 第 PAGE 3页（共 NUMPAGES 3页） The Representation of China in Western Documentary Films Merrilyn Fitzpatrick Street is the center of city life, this is a common feature of domestic and foreign cities. Street culture of China can be traced back to the Tang, Song (about the 8th century BC, before and after) than the rise of the European street culture (before and after the Renaissance) to the Tang and Song dynasties as early as several hundred years ago, the citys streets are mostly only play the role of transport. Exchange of commodities is limited to a few of the city fixed the meantime, street scenes with no spark. At this time Streets can not be given to the meaning of street culture. Commercial Street, the street culture is the most important form of street culture is the focus on death. Streets in the study of Chinese culture, the most important thing is the commercial street in China. Produced its first economic reasons. Hunting and fishing during the original inhabitants of the little remaining products, no exchange. There is no concept of streets and markets. The emergence of agriculture and animal husbandry, and the remaining products to increase, resulting in a barter, a mobile market. Gradually with the streets and markets. Handicrafts from agriculture, came out in the division. People need to exchange. There have been regular markets. With the social division of labor and material progress of the increasingly rich, especially the Tang and Song dynasties, as the social division of labor and material progress is becoming increasingly abundant prosperity Commercial Street, from the Northern Song Dynastys Art can be seen at the time of street life prosperity. Most of the ancient Chinese cities have become stricter and the layout of the streets, street rules extremely. Such as Chinas capital Beijing. Through its urban plan, you can easily find the National Palace, the Temple of Heaven, there are layers of Beijing Link. Outside the inner city of B