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From K. 467 of the writing features of Mozart Piano Concertos.doc

From K. 467 of the writing features of Mozart Piano Concertos.doc

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From K. 467 of the writing features of Mozart Piano Concertos

From K. 467 of the writing features of Mozart Piano Concertos [Paper Keywords] Mozart Piano Concerto Ritornello (Ritornello) sonata form, the dramatic feature [Abstract] Articles created by Mozart, K. 1785 467 first movement features the music of language, the traditional concerto form and the dramatic pioneering the development of several aspects of the analysis, attempts to explore the intersection formed in the 18,19-century style, the era of Mozart’s Piano Concerto in general characteristics to grasp the period of European classical concerto Piano Concerto in particular the development phase trajectory. I. Introduction “Concerto” The word itself comes from Italian con-certare, which means “together” and “joint.” In the 16th century, the concerto is the solo and chorus, chorus two separate, different instruments, in particular, between vocals and instruments “together” to sing and play collaboration as a form of music. to the 17th century, “Concerto” added a word to each other “confrontation” and “competition” means, refers to the modern concerto soloist or solo group and the kind of comparison between the relationship between the band. Piano Concerto reproduction comes from, which is prevalent in the late 18th century one of the solo concerto, the piano soloist with the Philharmonic Orchestra played or agreements between competing A large-scale instrumental music played, the so-called “solo concerto” Song is to emphasize the characteristics and play a solo instrument playing skills, while the soloist, the performance of solo music and orchestral music, and the Union of contrast. Austrian composer Wolfgang Amadeus Mozart (1756 a 1791) in a short 35-year career, write a variety of concertos, more than 50 first, which experienced 27 piano concertos a mature process, and his work in Vienna during the 17 plays in its creation a very important position, from 1784 to 1786, is Mozart’s most glorious period, a total of 12 composed a masterpiece of the co

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