电影欣赏3-2.ppt

Characteristics ① Suspense 丰富的悬念 Hitchcock preferred the use of suspense over the use of surprise in his films. In surprise, the director assaults the viewer with frightening things. In suspense, the director tells or shows things to the audience which the characters in the film do not know, and then artfully builds tension around what will happen when the characters finally learn the truth. Theres two people having breakfast and theres a bomb under the table. If it explodes, thats a surprise. But if it doesnt...” ② MacGuffin 虚构的“麦格芬” In fiction, a MacGuffin (sometimes McGuffin or maguffin) is a plot device in the form of some goal, desired object, or other motivator that the protagonist (and sometimes the antagonist) is willing to do and sacrifice almost anything to pursue, often with little or no narrative explanation as to why it is considered so desirable. A MacGuffin, therefore, functions merely as a plot element that catches the viewers attention or drives the plot of a work of fiction. It might be a Scottish name, taken from a story about two men in a train. One man says Whats that package up there in the baggage rack?, and the other answers Oh, thats a McGuffin. The first one asks Whats a McGuffin?. Well, the other man says, Its an apparatus for trapping lions in the Scottish Highlands. The first man says But there are no lions in the Scottish Highlands, and the other one answers Well, then thats no McGuffin!. So you see, a McGuffin is nothing at all. 这是希区柯克作品最独特的词汇，这个字眼来自于他最爱说的一个故事：一列苏格兰火车上有个爱追根问底的人，他见隔壁的乘客带着一个形状奔奇特的包裹，就问那是什么，乘客答：“麦格芬。”“什么是麦格芬？”“是在苏格兰高地捉狮子用的。”“可是苏格兰高地没有狮子啊。”“啊，这么说，也就没有麦格芬了。” 由此看出，麦格芬是个并不存在或者不太相干的事物，但它却是谈话、行动甚至整上故事的核心。?? 在所有希区柯克的影片中或多或少都用到这个概念，他总是在影片中利用一个虚化的人物做主线，比如《房客》中的复仇者、《蝴蝶梦》中的丽贝卡、《迷魂记》中的玛德琳。有时又利用虚化的事件，比如《后窗》中的推销员谋杀案。?? An American actor, director, writer and producer who worked extensively in theater, radio and film. He is best remembered for his innovative work in all three media.The War of the Worlds (1938), the most famous br