中国电影导演.pptVIP

Directors of the first generation Directing career: 1900s to 1920s Representatives: 郑正秋，张石川，绍醉翁，杨小仲 The features of their films Against the feudalism Value the films’ effect of Social enlightenment Learn from the traditional drama The unique styles of his film Catering to the audience Approving the level audience’s appreciation The unique styles of his film Pay more attention to Commercial interests Mainly focus on entertainment movie Directors of the second generation Directing career: 1930s~1940s Representatives: 蔡楚生 ，郑君里，费穆，吴永刚 The features of their films Realism Reflecting the social life Gradually get rid of the traditional drama The unique styles of his film Very attractive Easy to understand Very good at shaping the characters Directors of the third generation Directing career ：After 1949~ Representatives: 谢铁骊、水华、崔嵬、谢晋 The features of their films Basing on the principle of realism, Reflecting the essence of life Explore the national style and regional characteristics They experienced three periods 1949~1965 水华《白毛女》，崔嵬《青春之歌》、《小兵张嘎》，谢晋《女篮五号》等 1966~1976 谢铁骊《海霞》、《闪闪的红星》于彦夫 《创业》 1976~ 谢晋《芙蓉镇》 、《鸦片战争》 、 凌子风《骆驼祥子》 《边城》 The unique styles of his film Keeping pace with the times Show the characters features through the historical or political background 谢晋作品剧照 Directors of the forth generation Graduated from Beijing Film Academy in 1960s Representatives: 吴贻弓、张暖忻、黄健中、滕文骥 The features of their films Breaking up the structures of dramatic Advocating the realism Having the strong sense of social responsibility and historical mission The unique styles of his film Full of the passion of life Filled with a plenty of the truth of life The 5th generation Mainly referring to Beijing Film Academy graduates of the early 1980s, the fifth generation of Chinese directors generally had some bumpy and uneasy experiences before actually becoming directors, witnessing the dramatic