麻阳苗族花灯戏的传承与变迁研究.pdfVIP

四JII 民族学院学报 第 22 卷第 3 期 2013 年 6 月 JOURNAL OF SICHUAN Vol. 22 No.3 Jun. 2013 UNIVERSITY FOR NATIONALlTIES 食民族研究食 麻阳苗族花灯戏的传承与变迁研究 张池 E摘 要】民族文化始终是不断变化发展的，有的文化随着时代变迁而消亡，有的却在传承 变迁过程中进行着再创造。麻阳花灯戏作为一种十分特殊的活态文化资源，伴随着社会变革 逐步深入，分化出两种形态官办花灯和民间花灯。本文以原生态的民间花 灯为基点，对市场化的官办花灯进行全面审视，从它的社会功能、艺术形式、传 承方式和传承主体等四个方面所发生的变迁进行阐述，并深入探讨导致它的原因。并依此认 为 z 对于民族文化的产业化、展演式的传承，我们需要的是理性思考，要以一种长远和发展 的眼光去运营它的现状、预见它未来的发展方向。 E关键词】麻阳花灯戏z 官办花灯z 民间花灯 E中回分类号] K890 (文献标识码] A (文章编号] 1674-8824(2013)03-0030-06 Research on the lnheritance and Changes of Mayang Miao Ethnic Groups Huadeng Drama Zhang Chi (Abstract] National cultures are always changing and developing. Although some cultures have disappeared , some recreated themselves in the process of inheritance and vicissitude. Because of the social evolution , Mayang Huadeng drama , a very special living cultural resource , has been divided into two forms: State- Run Huadeng and Folk Huadeng. This article , with global view and based on the original Folk Huadeng , makes some comprehensive analyses on the mar- ketization of State-Run Huadeng , especially the changes of its social function , art form , in- heritance mode and inheritance entity , and their deep reasons. Through the analyses above , this article holds on that the industrialization of national culture should be ruminated over , and managed or prospected in a broader view as well from the point of development. (Key words] Mayang Huadeng drama; State-Run Huadeng; folk Huadeng 关于麻阳苗族花灯戏的研究，学术界已有一定的成果，民族学者、民俗学者们对其基本上是 采取了两种研究思路，一种