虚·实──绘画的视觉内涵.pdfVIP

中国美术学院——油画系——韩冰——虚•实--绘画的视觉内涵 摘要 本文从中西绘画的视觉层面探讨 “实”与 “虚”给人的视 觉体验、心理感受及其背后的文化内涵，寻找差异性和相通性。 中西绘画对待虚实有着不同的侧重，中国画的虚实是人文的， 是对自我心灵的更深精神追求和感悟，是心智和修为的呈现， 因此重虚境侧重“写意”；西方绘画的虚实是科学的，是对外部 世界更深刻、理性的把握，是求知思想的体现，因此重实境侧 重“写实”。从视觉层面来说，虚实应有更为广义的理解，绘画 中的“实”应该是秩序、明晰性的体现，由明确、有序的图式 组成，是艺术家进行创作的支点，也是观者欣赏作品的基础； 虚则表现为对图式的隐藏和模糊，是基于实的一种扩充，为作 品带来意境的可联想性。然而虚实在绘画的最高境界其实不是 对立而是融合统一，实是有限性，是秩序，虚是无限性，是“无 法”，而如何由实引向虚，由技巧引向心灵，是中西绘画共同 追求的境地。 关键词：实、虚、视觉、图式、意境 3 中国美术学院——油画系——韩冰——虚•实--绘画的视觉内涵 abstract This level of visual art from the Chinese and Western painting real and virtual,the actual situation of people with different cultural context behind the visual experience andculture, to find the differences and similarities . Treatment of the actual situation of Chinese and Western painting has a different emphasis, Chinese painting, Humanity actual situation is that the spirit of self-pursuit of a deeper soul and sentiment, is the mind and repair the presentation of the virtual environment so heavy focus on impressionistic; Western painting physical actual situation is on the outside world, a deeper, more scientific certainty, is thinking of showing knowledge, so heavy emphasis on reality, realism. From the visual level, the actual situation on the painting should be more broad sense, drawing in the real should be order, clarity of expression, the clear, orderly schema component, is the fulcrum of creative artists is the basis of the viewer appreciate the work; virtual schema is expressed as the hidden and vague,is based on a real expansion of the works to bring artistic state . Ho