丛华——试论韩少功笔下的蒙昧者形象 (自动保存的).docx

试论韩少功笔下的蒙昧者形象班级 12汉语言文学2班姓名丛华学号 Q1235121指导教师秦宇慧目录目录2中文摘要3Abstract4引言5正文71．蒙昧者的多种类型71.1残障类蒙昧者81.2麻木的蒙昧者101.3抵触现代文明的蒙昧者141.4向往现代文明的蒙昧者151.5三观扭曲的的蒙昧者172．蒙昧者破灭的精神追求192.1生命温度的追求192.2家国事业的期待212.3现代文明的向往212.4风光生活的奢念223．蒙昧者悲剧主要是社会历史造成的223.1鸡头寨——原始社会时期233.2北门口——民主革命初期233.3茅草地——现代化起步阶段243.4魁元——改革开放初期25结语26注释26参考文献27致谢28中文摘要韩少功通过小说塑造了各种各样的蒙昧者形象，这些蒙昧者有的身心残障，有的麻木自私，有的抵触现代文明，也有些相反--极度向往现代文明，甚至有的蒙昧者三观扭曲。作家对他们褒贬不一，对丑陋予以尖刻的讽刺,也对不幸给予温情的关怀,但无论哪一个，都是作家理性思考与感性关照的结晶。然而，蒙昧者的人生在韩少功笔下总是以悲剧性结局为主，无论是丙崽、德琪对生活中温情的需要，丙崽娘对目前生活的苟且，张种田对家国事业的期待，仁宝对现代生活的向往，还是魁元对风光生活的幻想，均已破灭告终。蒙昧者的人生走向与社会时代的影响密不可分，不同社会氛围中的蒙昧者体现出独属那个环境的特色。鸡头寨原始野蛮的社会氛围致使人性与理性的双迷失，导致丙崽这样的弱者被蹂躏，丙崽娘被生活压力碾压的失去灵魂，仁宝因荒唐的部落冲突不得不前往更远的深山，更远离现代文明。清末民国初的底层百姓愚昧而麻木不仁。张种田是典型的“大跃进”风格。魁元则是改革开放初期贫富分化初显而造就的一批盲目追求财富者。作家用蒙昧者的悲剧命运来传递自己对社会人生的深刻思考，揭露丑恶黑暗的同时也不忘呼唤人性中的温情。韩少功对卑微的小人物的关注，也是其人文关怀的展现。关键词：韩少功蒙昧者社会浪潮 人文关怀AbstractHan Shaogong through the novel created a variety of an ignorant man image, the ignorance of some physical and mental disabilities, some numbness selfish, some conflict of modern civilization, also some contrary -- extreme longing for modern civilization, even some of the ignorant Sanguan distortions. Writers have different opinions on their and the ugly be scorching satire, also care about unfortunate given warmth, but no matter which are the crystallization of the writer of rational thinking and emotional care. However, the ignorant life in Han Shaogongs works always with a tragic ending, both Bing Zai, de Qi of warmth in life need, mother C cubs of the struggling of living in the present, a farm of state-owned enterprise expectation, Compal on modern life yearning for, or Kui yuan on the wind light life fantasy, have burst in the end. Effects of ignorance to the life and society are inseparable, different social atmosphere of an ignorant man reflects the unique characteristics of the environment. Zito Zhai primitive social atmosphere resulting in nature and rationality of double lost, lead to Bing Zai such weak ravaged, Bing Zai Niang is life