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20世纪中期(1949—1979)上海印染设计师群体研究.pdfVIP

20世纪中期(1949—1979)上海印染设计师群体研究.pdf

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20世纪中期(1949—1979)上海印染设计师群体研究论文

Abstract Shanghai has been influenced by western in technology, culture and many other aspects since the late Qing dynasty. Shanghai is one of the core of Chinese textile bases in the middle of 20th century and it plays important lead role for other area in dyeing and printing technology and design level. Another important reason is: at that time, Shanghai has a large number of the national top level of printing and dyeing designer group. In the modern history of design research, consumption culture has gradually become the center of research, and I think at the time of Shanghai printing and dyeing designer group, is both popular consumption culture creator, also is the experience on the popular consumption culture and the formation of the development plays an important role in, so, this article to the middle of the twentieth century (1949-1979) Shanghai printing and dyeing designer group as the main research object, trying to from a new perspective stylist and consumer culture discussed the relationship. This paper first through to the middle of the twentieth century Shanghai printing and dyeing designer group development background, development characteristics and so on various research, reveals the reason of Shanghai printing and dyeing designer group of formation and development and particularityin a variety of personnel structure and different professional structure, it forms the design level of higher and rich design characteristics, not only on the leading edge of trend in the consumer market, but also has important lead of the dyeing and printing design and guidance to other areas of the country. Then based on the image data and samples of printing to analyze the period of development grain and summarized the development of printing and dyeing design contexts, each phase of the characteristic and in the market and the international fashion trend, the impact of the Shanghai printing an

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