新时期文学与电影中寻根内涵的比较分析——以阿城与陈凯歌为例.pdfVIP

内涵。《大阅兵》顺着影片的发展来挖掘陈凯歌的文化思考。《孩子王》作为本文 两位主角的 “交叉地带”，从整体风格、人物造型、主题表现三个方面进行了详 细的分析比较。 第三章主要表达了通过上文分析后自我的思考与感悟。本章分为同行异路与 寻根之获两个部分。第一部分首先对阿城与陈凯歌八十年代之后的作品做了简要 概述，接着分别阐述了个人经历上的“同行”与艺术风格上的“异路”。艺术风 格上阿城是旁观者立场，陈凯歌是参与者立场；阿城走的是世俗路线，陈凯歌走 的是精英路线。通过对两位寻根者所选择的角度、路线的分析，进一步思考发现 了两个问题：一是创作身份与创作角度的矛盾，二是作品载体与创作路线的矛盾。 第二部分则把眼光放大，从文学与电影的关系和对于寻根的再思考两方面阐述了 自己的观点。 本文试图以阿城与陈凯歌这两位在文学与电影界中典型的寻根者为出发点 来思考，最终以期能够对新世纪文学与电影的发展提供一定的现实借鉴。 关键词：寻根文学；寻根电影；阿城；陈凯歌 III Abstract In this paper, by analyzing the works of A Cheng and Chen Kaige to compare the eighties “root–seeking rend” in different creative subjects, and the similarities and differences under different communication carriers, and by comparing with the current thinking to dig what the literature and film can be used for reference. The introduction mainly bases on the current research status to propose research ideas and further define that the major research subject is A Cheng and Chen Kaige ,and the main period of their work is for the eighties of last century. The text is separated into three chapters to discuss, which are the seeking root persons, the root-seeking trip, and the root-seeking thinking three parts to discusse. The first chapter mainly introduced the origin of root-seeking and persons of A Cheng and Chen Kaige.The background of root-seeking was considered mainly though the subjective and objective aspects to consider. Objective in terms of the eighties was the era of multifarious:Longitudinal speaking, there is a huge material change during the reform and opening up new age and culture revolution period.Horizontally speaking, there are different states of consciousness between the