杨慎散曲批评思想分析.pdfVIP

沈阳师范大学 The Yang Shen rise in the Ming Dynasty, to promote the revival of the middle of Ming Sanqu and rapid development until it reaches the San Qu Ding peak. Academia for the Yang Shen Sanqu research monograph is relatively small, this paper intends to criticism from Yang Shen Sanqu ideological causes, Refined Theory, Emotion Theory On further analysis of Yang Shen the Sanqu criticized the ideological background in the Sanqu the history of the achievements and status of four aspects context and the theory of the essence and spirit of the origins, aims to grasp and explain the evolution of the the Sanqu literary criticism of the Ming Dynasty. Yang Shen Sanqu criticized the ideological formation influenced by many factors: the pain of those who suffered relegation pain of displaced put away the grief suffered relegation to Yangsheng most relocated Exile misery of relegation mentality Verse accompanied always see the song in the heart of the face the Kuang put but in reality latent turning a depression in the wind like the mentality of inaction and meet the promising but in reality implies thinking ambitions are increasingly eliminate works statecraft ideas into a mind detached, matter I forgot Happy feelings. Buddhism and transcendental adaptive thinking the Yang Shen desire to be a no matter scattered immortals. Yang Shen students self-love in this love publicity reflected the Sanqu the creation, so the song from the qi, voids become natural, fresh, and has contributed to break through the suffocating shackles of Neo -Confucianism. The Sanqu the exhibit Yang Shen both uninhibited Toshihaya for acceptance Song uninhibited and the Six elegance, resembles beautiful fiber Yan Qu different style. His relegation song song of Yonghuai, Yongwu song, paint a portrait of song,