当卢浮宫遇见紫禁城之东西对望.pptx

东西对望;The paintings in the Le Louvre Museum（卢浮宫）, the Western faces, the eastern backgrounds; in the Forbidden City, there are many paintings of western styles. ;Le Louvre Museum room decorated with blue and white porcelain (青花瓷）; Western clocks(西洋钟） were displayed in the palace of the Forbidden City. ;On the Le Louvre Museum party, the king and the nobility were dressed up as Chinese image;the scenes in the Forbidden City, Emperor Yong Zheng（雍正皇帝） also imitated the western people...... 卢浮宫的舞会上，国王和贵族扮成中国人的形象；紫禁城的种种场景中，雍正皇帝也模仿起了西洋人;;Mutual speculation(猜测） brought a lot of mutual misunderstanding, collision（碰撞） and plenty of reflection as a process between China and Europe that is still going on after 300 years. Artist Guwenda（谷文达） deals with the differences between two work and explains the cause of the misunderstanding. ; did Chinese culture influence western culture ;In 1688, Louis XIV（路易十四） of France dispached six mssionaries（传教士） to China with many scientific apparatus and books. Nine years later, Emperor Kang Xi sent one of the missionaries back to France with over 300 Chinese books. Louis XIV was so pleased that he wrote a letter, in which he praised Kang Xi as the most nobel, most brilliant and most powerful emperor, and he regarded himself as a sincere and passionate friend. It was this letter that witnessed the first collision( 碰撞）between Chinese and Western cultures.;Francois Boucher;His paintings had depicted anything that might be seen in China;Frances Boucher had never visited to China, his insperation came from the import Chinese commodities, and vrious book illustrations published by missionary. ;Pineapple Shaped Buildings(菠萝建筑）;Watteau;The Embarkation for Cythera -----《发舟西苔岛》;What Boucher and Watteau conveyed in their paintings was a dreamimg world with happiness and emotional love. It seemed that the place they had never been to was wonderful,and everyone was longing for being there. So Watteau ,Broucher and many other Rococo pa