拉杆箱-马克笔.doc

Share Okay, here’s another sketch tutorial for you. We’ve received a couple requests for more marker demos with traditional media, so I broke it down for you in a few steps. People always ask what’s the key to laying down some good marker or pencil – I think the answer is really simple. Relax, and have fun and PRACTICE PRACTICE PRACTICE!!! Never underestimate the value of always sketching. It’s like practicing a foreign language by speaking it often. Okay, enough of my rant about practice. I tried to pick something fairly simple to work on. I know, it’s just a suitcase, but I chose this to show how a simple object can seem more exciting with some good perspective, some good linework, and some good marker application. First off, I started out with a rough underlay of my suitcase, setting up the basic design and perspective of the scene. I’ve also outlined the shadow and some details in the object that will help guide my over-sketch. By the way, I’m using crappy tracing paper to do my underlay and a little nicer paper for my overlay. This way, I can be relaxed when sketching my undersketch and not have to worry about how expensive the paper is. Remember to relax and have fun. Next, I took some nicer Bienfang 260 Marker paper (Any marker paper or a smoother bond paper will do.) and worked on my overlay. Be sure if you do this with pencil to use sharp ones or have a bunch of sharp ones handy. A good electric sharpener helps as well. Okay, time to pull out the markers. I’ll talk about marker selection a little bit more in a future post, but for now, what you need is 3 markers in three distinct tones – a highlight or light marker, one for the midtone, and the other for the shadows or dark tones. In this case, I am using three prismacolor markers in the brown family. If you’re not sure if there’s the right amount of contrast between your markers, then try squinting you eyes when looking at all three applied on a piece of paper. if they are too close in tone, then shift to