从今释题跋看其书学思想.pdfVIP

中文摘要 本文以今释题跋为线索对其书学思想进行研究，探索其书学思想与书法创作 上的自我突破、相互融合、共同作用的过程，并阐明其对后期岭南书坛的影响。 论文以今释题跋研究为突破点，以今释作为岭南佛门书家代表人物为定位，主要 研究今释的书学思想特点，从而为整个岭南书坛发展史研究提供一定的参考。论 文首先对今释其人及其书法风格进行简要阐述，明确今释的书法风格面貌；其次 按照书法、绘画、诗文、佛经、其他等五类载体分类归纳今释题跋；再次以今释 师承观、临摹观、品评观、创作观为纲目，从其题跋中探析其书学思想，点明今 释书学思想与书风的成就关键；最后总结了今释其人、其书风、书学思想的历史 价值。 【关键词】今释；题跋；书法风格；书学思想 I 万方数据 Abstract In this paper, the calligraphy thoughts of JinShi are researched by taking his annotations as clues. The process of breakthrough, mutual fusion and combination in calligraphy thoughts and creation are explored, and its influences on the later stage of Lingnan calligraphy circles are analyzed. Taking JinShi’s annotations as the breakthrough point and positioning JinShi as Lingnan Buddhist calligraphy representative, the JinShi’s calligraphy thoughts are researched, which provide certain reference for the research on the development history of Lingnan calligraphy. Firstly, the JinShi’s life, calligraphic style and characteristic are briefly described. Secondly, the Jinshi’s annotations are classified according to calligraphy, painting, poetry, Buddhist scriptures and other annotation carriers. Thirdly, through taking the view, copying view, judging view and creation view as outline, the calligraphy thoughts of JinShi are studied from his annotations and the key successful factors for Jinshi’s calligraphy thought and style are pointed out. Finally, the historical value of JinShi’s life, calligraphy thought and