从审美主体选择看十七年文学的公式化和概念化成因(The author chooses to see the formulation and conceptualization of the literature in seventeen years).doc
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从审美主体选择看十七年文学的公式化和概念化成因(The author chooses to see the formulation and conceptualization of the literature in seventeen years)
从审美主体选择看十七年文学的公式化和概念化成因(The author chooses to see the formulation and conceptualization of the literature in seventeen years)
Current library: a full text database (1951-2005) (W8)
The author chooses to see the formulation and conceptualization of the literature in seventeen years
Research on aesthetic culture
Research on aesthetic culture
[key words] seventeen years of literature, formulation, polarization, creative setting
[issue no.] 200302
Total number: 275
[page number] 144
[abstract] liu kekuan (1954 -), male, tengzhou, shandong, professor of taishan college.
Responsibility editor: lihua
[author] liu kekuan
Abstract: from the relationship between subject and object of literary creation, the creation of the main body consciousness is reflected in the adaptation transformation in the object type, the restriction of the object to the subject is also on the premise of respect for the independence of the subject consciousness. Come forward to seventeen years of literary creation, and the contemporary literature often artificially will choose refactor two-way to adapt to the interaction between subject and object relations to unwind as the main body of the object (group) one-way dependence. Which is the result of a complex experience and understanding of artistic personality multiple horizon often replaced by groups of logical thinking, it formed by the polar opposite of aesthetic pattern and traditional moral value judgment standard, as the important cause leading to the formulation and conceptualization.
Keywords: seventeen years of literature; Formulation; Polar opposites; Creative set
Chinese library classification number: 206 Ⅰ 7 document id code: A article number: 0511-4721 (2003) 02-0144-05
In essence, the possibility of human beings grasping the depth and breadth of the outer world is closely related to the horizon of the subject. As far as literature is concerned, it has philosophy, history and so on. Only the organic integration of multiple horizons can
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