主题定位（Topic orientation）.doc

主题定位（Topic orientation） Topic orientation (1) the relation between subject and subject; The theme and subject matter are discussed together, because the theme and subject matter are closely related. On the one hand, the theme does not exist outside the subject. It is produced by the author according to his own experience of life, A and the subject matter. We say that art is the externalization of the artists mind, but in the world, it is merely the carrier of the artists mind. So, the problem we must face is, if we regard the theme as the rational expression of the artists mind, and regard the subject as the manifestation of the external life, how can we explain the relationship between the two? We think that as an artist in the review of the theme, in fact he is with the theme in the dialogue, he must think of a way to accept it, transform it with the heart, only when his heart and the theme of collision, out of the spark of thought, we often say that the subject will produce. At the same time, the artist may change his mind in the process of colliding with the subject. Faced with the same subject, each playwright will have different understanding, there will be different ways of dealing with. Just like a wine bottle, it can hold different wine. In any TV play, what really determines its character and value is not the subject itself, but the height of the author and the director who deals with them in the realm of life and art. A rich man raped a maid many years ago, and made the maid pregnant and abandoned by the rich. The maid fell from the prison and was taken to prison...... I think this is the story of the It is quite common for in our lives today, so imagine the theme, if some writers will become what? It is likely that this is a full of naked pornographic novels, according to our literary and art circles popular fashion, playing women is a kind of fashion man, is clear, no responsibility, no morality, no self condemnation. But Tolstoy wrote a monumental work