历史悠久的亚洲传统(A time-honored Asian tradition).doc

历史悠久的亚洲传统(A time-honored Asian tradition).doc

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历史悠久的亚洲传统(A time-honored Asian tradition)

历史悠久的亚洲传统(A time-honored Asian tradition) The tenth section - the long history of Asian traditions Music teaching design I. learning objectives (1) appreciating four representative Asian traditional music works, guiding students to listen and feel, and experience the style features of several representative traditional music works in different parts of asia. (two) a preliminary understanding of the general situation of Asian music, and study the close relationship between Asian music culture and geography, economy, nationality, religion and so on. (three) music learning characteristics of Mongolia Indonesia Hoomei, cloning clock songs, India Salang Ji. Two, teaching key points and difficulties Key point: through appreciating these four representative Asian traditional music works, guides the student to feel and experience the Asian traditional music the style characteristic. Difficulties: through summarizing and analyzing the characteristics of the style of music works, based on his own Asian geography, history, economy, religion and other aspects of knowledge, the relationship between the formation of active inquiry and music features associated with these background. Three, content arrangement (a) East Asia -- through the practice of Hoomei singing folk songs of Mongolia, enjoy the four old remaho, master Hoomei preliminary knowledge, analysis of music, enjoy three melody Hoomei concert; Hoomei is Tuwawen xoomei Chinese transliteration, also known as Hao Lin - Chao Er, refers to the original meaning throat, namely houyin, by a tightening in the throat sings alliteration Overtone Singing techniques. The double (biphonic) refers to a person can also emit two different sounds in concert. In addition, Hoomei called Mongolia laryngal. Mongolian Khoomei Hoomei is the use of special sound skill, a person at the same time to sing two voices, a rare form of multi part forms. Hoomei special principle of sound, sometimes vocal vibration, sometimes without vibration, is used

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