用创新思维奏响京剧艺术的时代乐章(Using innovative thought to play the movement of Peking Opera Art).doc

用创新思维奏响京剧艺术的时代乐章(Using innovative thought to play the movement of Peking Opera Art).doc

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用创新思维奏响京剧艺术的时代乐章(Using innovative thought to play the movement of Peking Opera Art)

用创新思维奏响京剧艺术的时代乐章(Using innovative thought to play the movement of Peking Opera Art) Using innovative thought to play the movement of Peking Opera Art First, the understanding of the current situation of Peking Opera Music Creation Since the new period, the art of Beijing opera has been greatly developed with the concern and attention of the party and the government. From the end of 1990, held to commemorate the 200th anniversary Beijing huiban , to the end of 1994, held to commemorate the birth of Zhou Xinfang Mei Lanfang, 100th anniversary, to continuously held the three session of the China Peking Opera Art Festival, as a result of these activities, the Peking Opera Art deep traditional inheritance, creation and prosperity of new repertoire. Only two years of statistics show that the national opera troupes annual new repertoire in the full row above, the number of new creation is hitherto unknown, and the emergence of a number of outstanding plays. The prosperity of this creation is based on the gradual improvement of the creative power of writers, directors, performances, music and stage art. Among them, as the half of the opera art of music, the role of the new drama in the creation of the role is still significant. In some new creation, the composer in an effort to inherit the traditional, bold reference and absorption of folk music, broaden the opera music performance means; to create some new style, new type, rich Chamber Opera vocal band; ethnic musical instruments, western music and acoustic instruments in various combinations of establishment, development Peking Opera accompaniment. The practice and exploration of musical composition of these new plays are remarkable. However, as opera music plays an important role in opera, the level of its innovation and development is directly related to the artistic style of a drama and even the whole drama. Therefore, when we see the results, participants are also clearly aware that although the number of new plays in

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