浅析《夜宴》中服装色彩的运用 本科生毕业论文(设计) 题目:浅析《夜宴 .doc

浅析《夜宴》中服装色彩的运用 本科生毕业论文(设计) 题目:浅析《夜宴 .doc

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浅析《夜宴》中服装色彩的运用 本科生毕业论文(设计) 题目:浅析《夜宴

本 科 生 毕 业 论 文(设计) 题目:浅析《夜宴》中服装色彩的运用 姓名与学号 林如婷 3070402040 指导教师 王小松 年级与专业 艺术设计视觉传达0701 所在学院 人文学院 摘 要 冯小刚2006年的作品《夜宴》在世界影坛上掀起了一个大风潮。观众对于剧情和台词方面评价不一,有好有坏,但是对于片中展示给观众的美轮美奂的视觉盛宴是值的肯定的。特别是香港著名美术设计指导师叶锦添亲手指导的服装设计,色彩浓厚,高贵而又不失细节,根据不同角色以及剧情、场景的需要对演员的服装打扮以及造型进行适当的调整变换,对整部影片起到了很强的渲染作用,升华了影片主题。本文主要通过对服装色彩作用的了解,以图文并茂,通俗易懂的叙述方式来解读《夜宴》中主要人物的五种服装色彩白,黑,红,黄,青在剧中的运用,并分析了夜宴中服装色彩与音乐,场景和灯光的合作关系,让观众深入的体会到服装色彩在《夜宴》中占有的重要作用。 关键词:夜宴;影视;服装;色彩;运用 Abstract In 2006.Feng xiaogang`s film The Banquet set off a big wave on the world cinema. Audience held different evaluation for the plot and lines, but the magnificent visual feast shown in the film deserve the praise. In particular, costumes designed by the famous Hong Kong Art and Design instructor Ye Jintian, are with beauty of strong color, which are noble and yet with details. Actors’ dress change according to different role, to the need of various scenes and stories, and that make an appropriate adjustment model transformation and played a strong role in rendering the whole Video, as well as distilling the film theme. This paper discuss the utilization of the five colors—white, black, red, yellow and cyan, of the main roles’ clothing in The Banquet. And the paper also analyzes the cooperation of the clothing colors, music, scenes and Light in the movie, which indicates that clothing colors plays an important role in The Banquet. Key words: the banquet;Film and television;clothing;color ;use 目录 摘要 ····································································································································1 Abstract······························································································································1 引言 ·····································································································································3 一、什么是色彩 ·····························································································

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