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rerevised2课件
Lecture Two
Auditory Effect Between CP and EP;I. The Auditory Effects of C P;2. Effects achieved by possession of fixed tones of
the characters
i)Each syllable in Chinese is pronounced in a
fixed tone.
Four tones :( 平,上,去,入) level, rising , falling
and entering.
Those tones differ from each other not only in pitch,
but in length and movement.
;ii)The first tone is relatively long and keeps to
the same pitch ; the other three are relatively
short , and, as their respective names indicate,
move upward or downward in pitch, or stop,
and stop suddenly.
Thus, variation in tones involves not only modulation in pitch but contrast between long and short syllables .;iii)The modulation [(声调的)抑扬 ] in pitch plays a
role in Chinese verse comparable to that of variation in stress in English verse.;3. Effects achieved by other devices (rime, alliteration, riming compounds, reduplication, onomatopoeia )
1)rime
End-rime occurs in all Chinese verse;3. Effects achieved by other devices
alliteration
Alliteration in Chinese poetry is usually confined to
two syllables and known as Shuang-sheng (Twin
Sounds, the word sounds here referring to the
initial sounds of the syllables). Quite a few disyllabic
words and compounds are alliterative, thus lending
themselves easily to musical effect and finding favor
with poets.
;Example;;Examples;Another example;3. Effects achieved by other devices
reduplication
In Chinese, a monosyllabic word is sometimes reduplicated. Such words are called dieci (Reduplicated Words).
The use of reduplicated words in poetry has an effect akin to that of riming compounds
;Example;3. Effects achieved by other devices
onomatopoeia
This occurs quite frequently in Chinese poetry,
especially in early poetry.
关关雎鸠,在河之洲
Guan guan, go the ospreys
On the islet in the river
;conclusion; Finally, the clear-cut quality of the syllables, the absence of elision(元音省略)and liaison(连唱), and the fact that there are usually few syllables in each line, all ten
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