表现主义舞台美术（Expressionist stage art）.doc

表现主义舞台美术（Expressionist stage art） Expressionist stage art Barr said: if impressionism takes the eyes as ears, expressionism puts the eyes into the mouth.. (Note: Barr: expressionism, 1920 Edition) The principle of expressionism is the desire to portray the outside world in subjective imagery, and oppose realism and naturalism, with photographic eyes focusing on external details. It represents the human internal eyes, to make a completely unique interpretation of new to the world, that can be observed in the contemporary material and mechanical society does not represent the real world, the Social Distortion of human nature, people will become a machine like animal, the world is full of pain and despair. Therefore, the expressionist artist calls for the transformation of the external reality from the subjective desire, until it is changed in accordance with the spiritual essence of human beings. At this point, the world is of value and significance to mankind. Because the Expressionists believed that the real mainly exists in the subjective field, is bound to seek new artistic means to express the distorted mind: distorted lines, exaggerated shapes, abnormal color, mechanical action, telegraphic concise language...... The viewer from the external image of the open, into the spiritual world, all things are often displayed through the eyes of the protagonist, his eyes can be a strong deformation and subjective interpretation of things. Expressionist painting was formally proclaimed in the 1905 bridge society organization, but the movement did not immediately affect the drama. Expressionism became an important form of drama in the first World War, especially after the war. Expressionist drama rejects traditional rules, breaking the logic relationship between objects in various human eyes, according to the internal representation of the object is not to re create, own material reality, but by their inspiring emotions. Expressionist drama performance with intermittent bri