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浅谈密斯的少就是多(Talking about Mies is less is more)
浅谈密斯的少就是多(Talking about Mies is less is more)
This article is contributed by Meng Hui Hui
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Simplicity breeds abundance -- on Miess less is more -- on Miess less is more -- on Miess
Advocating simplicity and brevity is the fine tradition of Chinese literature. Ancient writers have always devoted themselves to expressing the most abundant content with the most economical words. This is also the first aesthetic feature of poetry. The thing about Feng (Liu Zhiji. History narrative.) meaning not exposed to light, the pursuit of language is not exhaustive. Finish the sentence, in more than the territory realm (Shen Xianglong. Essays on CI). This poem minimalism aesthetic tendency is characteristic of this literary genre seems to be innate, and where is its vitality. From Book of Songs to Lushi Yuefu Poems, is unfailingly. From Zheng Wei to support a rich simple abstract architecture, we oppose all the aesthetic aspects of exaggeration, doctrine and formalism -- Mies Van Pedro. When the less is more from Smith mouth, of course not happy leisurely and Oriental people, only the German rigorous and rational. Yes, less is not blank, but streamlined, more is not crowded, but perfect. Miess architecture depends on the structure, but is not limited by the structure. It comes from the structure, and in turn requires careful construction. Less is more, said Mies to his students, I hope you can understand that architecture has nothing to do with the creation of forms.. The German Pavilion in Barcelona is such an example. In the German to attend the 1929 World Expo exhibits, you definitely do not see any one attached to a building on unnecessary things, no messy decoration, not out of thin air changes, no furnishings of odd shape. There is only light transparent building itself and its continuous flow inside and outside space. Similarl
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