以牧溪〈六柿图〉探论创作意境表现之追求.doc

论文摘要校院所组别：中国文化大学艺术研究所美术组论文名称：以牧溪〈六柿图〉探论创作意境表现之追求指导教授：孙家勤 博士研究生：陈启豪 宋代牧溪为当时禅僧无准和尚之弟子，其所绘作品深受禅学思想 的 影 响，而 画 中 透 露 出 无 限 的 禅 机。在 牧 溪 的 众 多 作 品 中，以〈 六柿图〉最为后人所赞赏，并被世人公认为禅画中经典之作。牧溪以简逸之笔法及分明的墨色表现出柿子的前后空间层次，画幅中只绘出六个柿子其余空无一物，留下一遍遥而无际的空间。这样的空间表现使得画中的白并不显得空，而留白处却让观者存有更大的想像空间。 本文所以选择宋代牧溪〈六柿图〉作为研究对象，乃因笔者素喜笔墨清新、意境超逸之作，且个人平素即好以「空灵」意境为创作主轴，故以此为题，希望藉由牧溪〈六柿图〉中造形、构图、笔墨、空间的研究，以了解禅宗美学对於牧溪〈六柿图〉的影响，并了解其中所蕴含的深邃之意，而进一步探讨禅宗对於中国水墨之影 、 、响，以厘清「禅」「空灵」「水墨」等诸元素间之关联性，并作为个人水墨创作之参考。 本文之研究目的在於了解牧溪〈六柿图〉中所透露出的内涵及意境，以及禅宗对於中国水墨之影响，故有关牧溪的生平事迹，仅与研究内容相关者概述之，余则不予赘述。关键辞：禅、空灵、水墨 AbstractSchool: College of Liberal Arts Chinese Culture UniversityThesis: Aspiration for Artistic Conception in Discussion of Mu Si’s Liu ShihTu Painting of Six PersimmonsAdvisor: Professor Sun Jia-chingResearcher: Chen Chih-hao Mu Si was a disciple of Monk Wu Jhun in Song Dynasty. Heavilyinfluenced by Zen thoughts Mu Si’s paintings revealed profound Zen allegoricwords. Within all his paintings Liu Shih Tu Painting of Six Persimmons wasmost praised by later generations and was recognized as a classic among Zenpaintings. Mu Si presented the persimmons in perspective with simplebrushwork and distinct ink color. Nothing but six persimmons was painted theblank space did not resemble emptiness but vast space for imagination. This study focuses on Mu Si’s Liu Shih Tu Painting of Six Persimmonsdue to personal preference over simple and graceful painting of the researcher.The study analyzes the shapes composition brushwork and spatialarrangement illustrated in the painting to understand the influence of Zenaesthetics over Mu Si’s Liu Shih Tu Painting of Six Persimmons and furthercomprehend the profound connotation of Mu Si’s Liu Shih Tu Painting of SixPersimmons probe into the influence of Zen over Chinese water-ink paintingand identify the relativity of “Zen” “detachment” and “water ink” forreference to personal reference on water-ink painting. The purpose of this research is to understand the connotation and artisticconception manifested in M