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09年自学考试美学复习资料第三章(09 years of self-examination aesthetic review materials third chapters).doc

09年自学考试美学复习资料第三章(09 years of self-examination aesthetic review materials third chapters).doc

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09年自学考试美学复习资料第三章(09 years of self-examination aesthetic review materials third chapters)

09年自学考试美学复习资料第三章(09 years of self-examination aesthetic review materials third chapters) The third chapter is about the theory of aesthetic form 1., it summarizes the formation, coherence, compatibility and duality of the aesthetic form. Answer: generative, penetrating, compatibility and duality are the characteristics of aesthetic form. First, generative. The first is the historical formation of aesthetic appreciation, and the two is the formation of individual relativity of aesthetic form. As far as temporal is concerned, many aesthetic forms of human beings appear only after the development of human civilization. Ugliness and absurdity did not become aesthetic form until the middle of the nineteenth Century. In terms of synchronic nature, the aesthetic form produced in a particular ethnic cultural background must be a historical process of adaptation and assimilation in order to become the aesthetic form of a particular nation in other cultures. Second, transfixion. Refers to the national culture, especially the unity of philosophy is rooted in the cultural soil of aesthetic form. Third, compatibility. Refers to the aesthetic form is a variety of aesthetic factors constitute the organic emotional cohesion. Fourth, duality. Mainly refers to the unity of nationality and the world. There are similarities as well as uniqueness. 2. briefly explain the reality, historical basis and main types of the formation and development of aesthetic formation. Answer: a particular aesthetic form is formed in a particular historical environment and conditions. Aesthetic form often reflects the aesthetic thoughts of a particular period. The historicity of aesthetic form. First of all, the aesthetic form is the product of a specific stage of historical social and cultural development, and secondly, the specific connotation of the aesthetic form is evolving in the historical development. The essence of Chinese early aesthetic form was poetic and musical; the aesthetic form in the earl

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