一念之间_作为观念艺术的中国当代摄影_影像和数字艺术概述.pdf

理论研究 一念之间 ——作为观念艺术的中国当代摄影、影像和数字艺术概述 Sudden Enlightenment: An Overview of Chinese Contemporary Photography, Video and Digital Art as Conceptual Art 王 端 廷 Wang Duanting 苍鑫　身份互换-京剧　数码打印　65x85cm　2002年 导　读：这是 2015 年 3 月到 6 月在湖北合美术馆举办 Introduction: This is a lengthy article by Wang Duanting 的“茅塞顿开：中德观念艺术比较研究展”策展人王端廷为 for “Sudden Enlightenment: Exhibition for Comparative Studies of Chinese and German Conceptual Art” held at Hubei Museum 该展览写下的长文。本文的配图则是本次的参展作品，不仅 of Art from March to June, 2015, of which he was the curator. 有中国艺术家作品，也有德国艺术家作品。文章介绍了观念 The illustrations of the article are the artworks for the exhibition, including those by both Chinese and German artists. The article 艺术和观念主义的范畴、观念艺术在中国的兴起过程，更着 narrates the categories of conceptual art and conceptualism 重围绕这次展览分别讨论了观念摄影、观念影像、数字艺术 and the development of conceptual art in China, and discusses, with regard to the exhibition, conceptual photography, video, 这三类相对新兴，但其在我国的起步、发展与世界同步，中 and digital art that are relatively new but have emerged and 西艺术观念和社会背景相对接近的观念艺术形式。文中，观 developed synchronously with the world and where the artistic values and social backgrounds are similar between China and the 念摄影的产生、发展过程以及“制造现实”的特点通过具代 West. It presents the emergence and development of co