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比兴、物感与刹那直观(Xing, sense and intuitive moment).doc

比兴、物感与刹那直观(Xing, sense and intuitive moment).doc

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比兴、物感与刹那直观(Xing, sense and intuitive moment)

比兴、物感与刹那直观(Xing, sense and intuitive moment) The evolution of the mode of thinking before Qin Dynasty to Tang Poetry [source] Social Science Front [original place name] Changchun [original] Magazine issue 200204 [original page number] 110~117 [classification number] J2 [classification] Ancient Chinese and modern literature studies [200212] copy number [author] Zhang Jie end [introduction] at the end of the Zhang Festival, born in 1956, Zhejiang, Hangzhou people. Doctor of philosophy, Professor of humanities, Zhejiang University, doctoral supervisor. College of humanities, Zhejiang University [Abstract] from Qin Dynasty to Tang Dynasty, the way of thinking from the experience of the analogy association gradually towards the process of instant direct evolution. Metaphor into two basic methods of ancient poetry, which is a product of analogical thinking. However, the highest level of the ancient art of poetry is not known in metaphor. Since the Han Dynasty, the Nineteen Ancient Poems as the representative, reflects the natural changes of poetic sense important role. After Wei and Jin Dynasties, in the big embodies the background, the sense of things experience to guide the perception of priority in Lyric poetics. The emergence of pastoral poetry and landscape poetry is evidence. Metaphysics and Buddhism changed the sense of time of the ancients, and time was no longer the sign of objective existence, but empty. An empty sense of time provides the basis for intuitive moments of contemplation. No longer must xing. Wang Weis landscape poems are empty and colorful, and landscape becomes a pure phenomenon in the twinkling of an eye. Artistic conception was born. [Abstract] comprehensive research [Key words] metaphor analogy Association / sense / / instant direct / empty The ancient China laudatory poems, poetry, lyric poetry is the two slogans on poetry origin and purpose, and Bi and Xing are three basic methods for the construction of image in the poetry of the two major (

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