僧衣兰语-论神韵(全).pdf

僧衣谰语——论神韵 僧衣（周汉杰） 著 2012 年 1 月 ‐ I ‐  僧衣谰语——论神韵 作者简介 周汉杰，1975 年出生于浙江嵊州，号僧衣，一清草堂主 人。中学语文高级教师，艺术爱好者，涉猎绘画、文学、音 乐等，莳兰近十载。 - II - 前 言 一直在酝酿写点关于兰花品赏的文字 ，也一直没有理清头绪入手，因 为谈兰花的品赏势必涉及美学理论、涉及兰花的传统文化、涉及方方面面 的辩证关系。 当今养兰爱兰者众，对于兰花品赏，这其中奥妙一般都认为只可意会 不可言传。古籍今著中提及的也大都笼统，何为上何为下云云，少有分析 理由者。茶余饭后的品赏谈论，常人云亦云，照搬照套，少有探究，亦不 问其所以然；也有只凭主观意愿、个人喜好判别优劣的，所谓“情人眼里 出西施”；更有人欲另辟蹊径，摒弃传统，难免一叶障目，以偏概全。 赏兰 ，作为一个审美过程，靠的是眼光、品位，用“规范、尺度”这 类字眼来框定审美，是教条而不现实的。但是，“美”不是空洞玄虚的， 而是有内容、有规律的，也就是说是有迹可循的。 本文不求天下一统，只想尽己所能，阐释传统兰花审美的内容、规律 和文化内涵，以“神、韵”的解析为立足点，引发从“技”到“艺”的纵 深思考。然要广为认同，也委实有坐井观天之虞、力不从心之忧。 抛砖引玉，作此兰语，供大家探讨，恭请方家指正。 《幽兰赋》 （唐）韩伯庸 作 （宋）黄庭坚 书 - III - 目 录 作者简介 ········································································································································II 前言·············································································································································· III 目录·············································································································································· IV 一、神韵 ········································································································································ 1 二、形神韵 ···································································································································· 2 2.1 曲线审美 ··························