芥川龙之介〈马脚〉中的身体论述.pdfVIP

明道學術論壇 8(1) ：97-108(2012) 芥川龍之介〈馬腳〉中的身體論述 王 線 綉 明道大學應用日語學系講師 摘　要 芥川龍之介（Akutagawa Ryunosuke ）1921年到中國旅行；〈馬腳〉是1925年（大正 14年）發表的小說。〈馬腳〉的男主角忍野半三郎（Oshino Hanzaburou ）到中國北京工 作後，陰錯陽差被鬼差點錯生死簿，猝死在工作地點。鬼差發現抓錯人時，不得已匆忙 地幫腳已爛掉的男主角，裝上一雙馬腳後，隨之讓他復活。 討厭馬的男主角，身體變成嵌合體（chimera ），駕馭不了自己的馬腳，且受到原生 馬蒙古馬的牽引，脫離家庭，奔馳在滾滾黃沙中，飄流不定。因此，本小論試從男主角 的身體改變，和所處的空間變化，探討男主角的主體性，以及〈馬腳〉中呈現的意識形 態。 關鍵字：芥川龍之介、馬腳、身體論述、主體、意識形態 97 芥川龍之介〈馬腳〉中的身體論述 Body Discourse in Akutagawa Ryunosuke’s Umanoashi Wang Hsiu-Hsien Lecture of Department of Applied Japanese Studies, Mingdao University Abstract Akutagawa Ryunosuke had a trip to China in 1921, while Umanoashi is a novel published in 1925.The hero Oshino Hanzaburou in Umanoashi was mistakenly put in the death book by the inferno servant and had a sudden death out of his hometown. After the servant had been aware of the mistake, he could only immediately replace the hero ’s rotten leg with a horse leg and brought him back to life. The hero who had really hated horses then had a body of “chimera.” He could not control his own horse leg but was dragged by the original Mongolia horse to separate himself from his own family galloping in the flowing sand of deserts, not knowing where to go. Hence, this paper tries to discuss the hero ’s subjectivity and the ideology in Umanoashi with the hero ’s physical change. Keywords: Akutagawa Ryunosuke; umanoashi; body discourse; subject; ideology 98 明道學術論壇 8(1) ：97-108(2012) 5 壹、緒論 下日本國家