浮世绘论文：解读日本浮世绘的艺术魅力.doc

浮世绘论文：解读日本浮世绘的艺术魅力 【中文摘要】浮世绘是日本江户时代流行的风俗画,是在日本近世的特殊背景下,在于中国以及西方文明的交流过程中,经历了二百余年,基于民族艺术的延续性而产生的民间美术样式,从本质上来说是一种平民艺术,具有普遍的近代人文价值。日本浮世绘在样式上主要强调要服从于被描绘的客体,尽可能采用能够表现不同对象特征的不同视点,使之共存于同一画面之中。大胆的打破画面的平衡、不再以主要物体做为画面的中心、只将焦点聚集在物体的一部分上；不论是人物形象还是背景物体,经常冲出画面的边缘而被切断；鲜明丰富没有阴影的色彩、流畅的轮廓线构成的形体表现、尽可能的省略多余物体的单纯化手法等,对于不谙透视法的日本美术来说,不是致力于挖掘画面的三维深度空间,而是不断探索在画面中的上下左右位置经营之道,这便形成了日本绘画的色彩华丽而丰富及平面性的主要特征。浮世绘版画以其独特的造型与色彩,对欧洲艺术所产生的冲击是中国以及亚洲其他国家的绘画无法相提并论的。欧洲美术开始经历了与其传统文化完全不同的表现手法和本质精神。19世纪后期,以法国为中心的印象主义绘画风靡欧洲、影响波及世界,印象主义绘画中便借鉴了浮世绘版画的形式语言,充分展现出对美术体系独创性的追求。印象主义以现实主义为起点,在写实主义向自然化主义转化的进程中,最终走向象征主义,开启了通往现代艺术的道路。整个过程中,不同于欧洲传统艺术观念的浮世绘版画在色彩、空间、造型等因素的抽象化和符号化方面为印象派画家提供了诸多可资借鉴的途径,其独特的东方样式向欧洲艺术家启示了从观念到技法的解放。 【英文摘要】Ukiyoe is edo period popular genre, is the special background of early in Japan, Chinese and western civilization is the exchange process, experienced more than 200 years, based on national art produced the continuity of the folk art style, is inherently a civilian art, has the universal modern humanistic value.Ukiyoe in style on the main emphasis subordinate to be described the object, use as far as possible can represent different object characteristics of different viewpoints, make coexist in the same picture in. Bold break the balance, no longer with images of the main objects as a picture, but will focus center part of the objects; Both characters or background objects, often rushed out of the picture was cut edge; The colour of no shadow distinct, fluent contour line consisting of performance, as political bodies of excess objects such as simplistic gimmick for former perspective, the Japanese art, it is not committed to mining of three-dimensional depth picture, but continuously explore space in the picture up, down, left and right position way of business, which formed Japan painting luxuriant colour and rich and graphic sexual features.For European art has had a huge impact is called “Japan socialist”, to float world draw prints, as a representative of the Japanese art, different western art