水墨动画《山水情》道家思想体现英文版.doc

Embodiment of Taoist thought in the landscape emotion of Chinese ink and wash cartoon chenchuanzhi Abstract: ink cartoon landscape is a classic in the history of Chinese animation art, the rich ethnic style of the film Chinese excellent traditional cultural thoughts are embodied in the arrangement of plot structure, ink painting techniques and the use of the background music rhythm, especially embodiment of Taoist thought. Mountains and rivers, the story is simple, rich in content, is a milestone in traditional Chinese ink animation works. Key words: water ink animation landscape emotion Taoism thought Landscape is a well known ink animation, the film is produced by Shanghai Animation Film Studio made in 1988, is Chinese ink animation summit. Its plot is rich in connotation, full of philosophy. The technique of expression of the film pictures and the artistic conception is far-reaching, will Chinas traditional landscape freehand painting pay attention to lifelikeness, vacuousness successfully and animation technology together. Scenic most outstanding achievement is not only of ink animation techniques skillful use of, more important significance lies in it is the embodiment of Chinese traditional culture and ideology, especially the embodiment of Taoism. Taoism culture is an important part of Chinese traditional ideology and culture. It has laid the foundation for the development of traditional Chinese thought and culture. Through the comprehensive analysis of the water ink animation landscape sentiment, we will contain the Taoism thought as follows: First, the animation plot in the pursuit of harmony between man and nature Film director Yan Shanchun once said: water and ink animation not come out of thin air, the requirements of the script is very high, the script must for ink and wash paintings, the success of the scenic can speaking and Wang Shuchen script are inseparable. Landscape emotion in the whole animation plot de