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CONTENTS
1. Caboclinho(choro) 4
(choro)
2. De Baiana
Conversa 6
(waltz)
3. Dois Destinos
9
(choro)
4. Dr. Sabe-Tudo 1,2
5. Promessa(waltz) 14
(waltz)
6. SeEla Perguntar 17
(waltz)
7. Sitplica 2O
8. Ternura(waltz) 24
9. Uma Valsa e Dois Amores(waltz)
26
10. Xod6 Da Baiana@atuque) 28
NOTES ABOUTTHE TRANSCRIPTIONS
These pieceswere transcribed as acurately as possible from Dilermando Reis
recordings. However, due to his personalway of playing, and the existenceof
two or more recordings of the same piece, I adopted the following criteria:
a) Ive written a standard notation according to the style of the
piece. Dilermando Reisstyle was fuIl of rubatos and bass
anticipations. To transcribe the recordings with absolute
fidelity would result in a very complicated score- even to
those who are familiar with this style of music. What was
natural in Dilermandos playing could sound artificial in
other hands.
b) When there were more than one recording of the same piece, I
chose a solo version. In the case of two or more solo recordings,
I took that which I considered The
the best. exceptio
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