Ron Eschete《Intros and Endings - 前奏与尾奏》.pdf

AZZ INTROS n s a guitarist, one must realize that much of ones career is often speil / A \ instrumentalists and vocalists as well as assuming the role of soloist tu LLl important to keep ones choice of melodies and harmonies interesting, yet I ensure that all group members are able to follow even if there is no written music. Bs is difficult and entails a great deal of patience and responsibility, this book will plufr examples of realistically usable introductions and endings that will help develop )ry order to secure your ability to thrive in the music business. tllofe t All of the following examples are on two sets of strings and in two different of the melodies are not identical, the chord progressions are basically the same. This i and transpositional purposes. Acknowledgemenfs t Special thanks to Bill Bay, Drew Andrews and Corey Christiensen for makiq 5 Also, thanks to Ken Givens atVoice of theArts studio, Jim Mapson and Jim Foster GHS Strings, Evans Custom Amplifiers and Rich Raezer Speaker Cabines. 2 turnarounds 4 minorvamps 6 fromflat Sth chord 8 chromatic bossa nova .. -. -..9 songs beginning on the ii chord . . I O pedals vamps 12 l-Vi-ii-Vturnarounds ... {8 more songs starting on the ii chord . . .2O morestartingonflatSthchord.. 21 normal turnaround for songs starting on the I chord . . .23 blues and gospel style 24 songs s