第七讲：建筑设计.ppt

第七讲：清代官式建筑设计表现 刘畅 清华大学建筑学院建筑历史与文物保护研究所 2003年12月 Foreword Yangshilei collections, Gao collections and collections of building norms Yangshilei in Conjunction with Western Architectural Representations， this juxtaposition is not merely for comparison. The first purpose is to give light to our own possessions, the orthogonal triad, perspectives, and models. The second purpose is to expound multiplicity of Yangshilei collection and its connotation. Systematic discussion is cliché but inevitable. Part 1: On Western Architectural Design-1 Tracing Back to Roman Years Recent research shows that Roman architects used geometrical and arithmetical models. Part 1: On Western Architectural Design-2 Part 1: On Western Architectural Design-3 Two Important Artistic Circles At Fading-Out of Middle Ages Part 1: On Western Architectural Design-4 The Paragons of the Renaissance : from subservient function to a measure of autonomy Part 1: On Western Architectural Design-5 Anonymous, Plan of S. Maria delle Carceri / Baldassarre Peruzzi, Interior of S. Stefano Rotondo Part 1: On Western Architectural Design-6 The So-called Theory of Architecture after Renaissance : see the works of Peter Collins, Hanno-Walter Kruft, Kenneth Frampton, Spiro Kostof, Nikolaus Pevsner, Manfredo Tafuri, Roger Scruton, Standley Abercrombie, and etc. for more. Part 2: Yangshilei and Its Tradition-1 Two main methods of Classification : Part 2: Yangshilei and Its Tradition-2 Draughtsmanship/Plan Part 2: Yangshilei and Its Tradition-3 Draughtsmanship/Elevation-1 Part 2: Yangshilei and Its Tradition-3 Draughtsmanship/Elevation-2 Part 2: Yangshilei and Its Tradition-4 Draughtsmanship/Section Part 2: Yangshilei and Its Tradition-5 Draughtsmanship/Perspective Part 2: Yangshilei and Its Tradition-6 Draughtsmanship/Axonometric Part 2: Yangshilei and Its Tradition-7 Draughtsmanship/model Part 2: Yangshilei and Its Tradition-8 Design-procedure/draft Part 2: Yangshilei and Its Tradition-9 Design-procedure/Base-dra