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摘要命运是人类永恒的主题,而悲观命运又是命运的一大主题。无论是遥远的古代,还是当今的现代;无论是西方国家还是中国,悲观命运这一主题受到许多文人的青睐。古代西方有《俄狄浦斯王》,现代中国有《雷雨》,这俩部作品让人回味无穷,悲剧的结尾震撼人心。曹禺是名扬中外的剧作家,是我国文坛史上的一员大将,他的作品曾多次被国外翻译和演出,尤其是《雷雨》,更是开创了我国剧作的文风。他的剧作不仅继承了希腊悲剧的特点,更是在此基础上结合中国的现实生活,对封建社会、封建制度进行了最根本的揭露和批判,走在了中国戏剧的最前沿。从国外到国内,多少人被命运缠身而就此折服,又有多少人为了和命运斗争不惜舍弃一切。不论结果如何,后者总是令人敬畏的。本文就《俄狄浦斯王》与《雷雨》悲剧的异同进行比较,感受曹禺在对西方话剧继承上的发展。关键字:《俄狄浦斯王》;曹禺;《雷雨》;悲观命运;Abstract Destiny is the human eternal theme, but pessimistic fate is one of the main themes of fate. No matter when it in ancient times or nowadays; no matter when it in western country or in China, the topic of pessimistic fate which is gets famous by many scholars. There are two famous works, the one is the King Oedipus which is in ancient western country, the other one isThunderstorm which is famous in modern China, this two famous works have given us deeply and unforgettable impression, but the end of this two works are full of tragedy, and it shocked down many people. Caoyu who is a famous Chinese and foreign dramatist is a member of the Chinese literary history, his works have been translated and performed many times by foreigners, especially the Thunderstorm which is created a style of play in China. His plays not only inherited the characteristics of Greek tragedy, but also combined with Chinas reality life, especially on this basis, and exposed and criticized to the feudal society and feudal system which have carried on the most fundamental, walking in the forefront of Chinese drama. How many people from abroad to domestic are stranded and defeated by the fate, and how many people are willing to give up everything to fate and struggle. Regardless of the result, the latter is always formidable. In this paper, the writer wants to compare the characters how to treat the behavior of the pessimistic fate and feel the development and inheritance on the western dramaform the King Oedipus and ThunderstormKey words: the King OedipusThunderstorm pessimistic fate Caoyu引言中国近代话剧从创始阶段的文明戏到五四新剧,是中国话
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