京剧 Peking Opera.ppt

Peking Opera BW0801 邓晓勤，袁佳，乔一飞 Nov.30 1. ORIGIN 2. FACES 3. ROLES 4. QUINTESSENCE 5. STATUS 6. CONCLUSION As mentioned earlier, specific types of facial make-up in Beijing Opera are put on the actors faces to symbolize the personalities, characteristics, and fates of the roles. RED YELLOW BLACK WHITE GREEN BLUE GOLD SILVER PURPLE POSITIVE NEGATIVE NEUTRAL MYSTERIOUSNESS 红色脸: 象征忠义、耿直、有血性，　　 Red faces have positive meanings, symbolizing brave, faithful, and wise men. Another positive color is PURPLE, which signifies wisdom and bravery. 黑色脸 既表现性格严肃，不苟言笑，又象征威武有力、粗鲁豪爽 Black faces, for their part, usually have neutral meanings, symbolizing just brave men; however, they can also represent uprightness. 蓝色脸: 表现性格刚直，桀骜不驯， BLUE and GREEN faces also have neutral meanings that symbolize the hero of the bush, with the former also hinting at strength and intrepidity. 白色脸:表现奸诈多疑 Meanwhile, Yellow and white faces have negative meanings that symbolize ferocious, treacherous, and crafty men. 金色脸: 象征威武庄严，表现神仙角色 Finally, Gold and silver faces symbolize mysteriousness, and stand for monsters or gods 神，怪兽 RED YELLOW BLACK WHITE GREEN BLUE GOLD SILVER PURPLE POSITIVE NEGATIVE NEUTRAL MYSTERIOUSNESS The roles on the Chinese opera stage fall into four categories -- Sheng, Dan, Jing and Chou. 生、旦、净、丑 -四大行当 These roles have the natural features of age and sex, as well as social status, and are artificially exaggerated by makeup, costume and gestures. 京剧在塑造人物方面有其独特的造型语言。它把不同性别、性格、年龄、身份的人物划分为不同的行当 Q: Why Peking Opera is recognized as the Quintessence of Chinese Culture? 京剧流派形成了自己独特的艺术风格和一批具有此种风格的代表作品，在得到了非内行观众的承认、内行者的追随后才形成的。流派和流派作品一定是精品，是这个剧种的象征和旗帜，因此必须继承和发扬。 京剧艺术是程式的、虚拟的艺术，更是综合的艺术。京剧不仅有文学剧本，有故事情节、矛盾冲突、人物个性，还有音乐、歌唱、独白、舞蹈、武术、杂技、脸谱、头饰、服装等等，并都是对生活的真实的艺术表现。 京剧艺术中的脸谱不是任意的勾画，而是人脸的骨骼、脸纹、气色、五官相貌的夸张美化，并且还有故事体现其中——孟良的脑门上为什么画火葫芦的图案、霸王为什么勾一个只有黑和白无双脸，为什么包公的脑门上要画月牙儿，怎么鲁智深一个和尚要勾成粉脸蛋，都有故事在其中，故事就是文化。同时，京剧的程式技术不能单纯从技术的角度解释，它处处包含了生活，处处都有讲究。并且每一个戏曲故事都以中国的传统美