好莱坞电影特技专业杂志Cinefex 33 - Predator.pdf

number 33 $5.50 Canadian—$7.50 Enterprising Hollywood producers have never been known to unworkable and had to be refabricated from scratch at another pass up a good opportunity when they see one, particularly facility. With time running out, the films ending had to be rewrit- when several types of movies do well at the box office. Their ten, causing major effects scenes to be dropped from the sto- logic, while critically low-brow, is deceptively simple—why not ryboard. As a further consequence, the postproduction period put a few genres through a Cuisinart? In the mid-sixties when was cut from six months to two-and-a-half, resulting in last- both westerns and horror films were box office favorites, Jesse minute optical compositing in order to meet a June release James met Frankenstein’s daughter. Last year Beverly Hills Cop date. To get the job done, one might say that Schwarzenegger’s found himself in the Temple of Doom. Other examples too on-screen heroics were matched only by the efforts of the films numerous to cite have been offered and embraced with varying visual effects team. degrees of enthusiasm over the years. Some were natural— Predator’s primary effects contract was awarded to some were ludicrous. Some worked - many did not. One of the R/Greenberg Associates in Manhattan—a highly sophisticated most recent that did succeed was Predator—an action-packed and diversified production facility whose prior involvement with adventure from producer Joel Silver which might best be Joel Silver included work on Xanadu, Weird Science, Brewster’s described as Commando meets Alien. “The film is basic