论中国山水画的写生-美术学专业论文.docx

途径在振兴现代山水画的创新和突破上起着极其重要的作用。写生在中国美术史上源远流长，对之加以细致深入的分析研究是很有必要的，对于今天的我们具有重要的现实意义。关键词：写生观察体悟物化视角现代趋势lVAbstractThesketchoflandscapepaintinginChinahasalreadycomeintobeing岛ralongtime. Theword，sketch，evenemergedasearlyastheFiveDynasties，whichreferst。thedescriptionoflifeandvitalityofalllivingthings，thatis，paintersakindofcomprehensionaboutnaturalobjectsanduniverse，akindofflexibleandpicturesqueg出p，部wellastherepresentationof paintersaccomplishment，temperamentandthestateofmind.ηlepr臼entpap町 based oncareful andrigid atti阳de，tri臼toillustratethepointthatsketch playsacrucialroleinChin臼elandscapepaintingfromthefollowingfive臼pectsofsketchr，臼pectively，itspracticalsignificance，essentialelements，8asicprincipals，mainmethodsandmodern-daytrend.Chapter1:Thischapterelaboratessystematicallyonthepracticalsignificance ofsketchofChineselandscapepair.ting齿。m岛uraspects.Atfirst，sketchendows也eendlesslandscapepainting.Sketch，then，is thebridgetolearn位aditionalpainting.Meanwhile，itisanimportantwaytostudynature.Duringtheproc臼sofcultivating keensensitivitiesofArtandofexploringthelanguageofpaintingart，sketchalsoplaysav配yimportantpart.Chapter2:Thischapterexplainsthe 臼sentialelementsandfundamentalprincipalsoflandscapepaintingsketch.Inthefirstpartofthischapter，theauthorillustratestwobasicelementsofsketch，thesceneryofobjectiveworldandtheemotionofsubjectiveworld.Furth町more，itisdemonstratedth础thelandscapepaintingisb出edonthedialecticalunify ofrelationbetweenthepainterssubj创iveemotion田tdtheobjectivescenery.Inthesecondpart，theauthoremphasizesonthebasicruleofsketch，whichlooksuponanddown，白eks nearωdfarandlearnsfromtheexternaluniverse，obtains击。mtheinternalmoodbymovingperspectiveorcavalier perspective.Theinnovationof1andscapepaintingdoesnttakethesimpler凶ppe町anceasthegoalan严nore，butemphasizesontheobjectificationonofmoodbasedontheinteractionbetweenpainterandobjects.Whatthepainter express臼bylandscapeisalwaysthesubjectiveemotionaswellastheobjectificationofspirit，thelevel ofartistic worksdependsontheaestheticconceptionconta